The title track is a quirky spoken vocalisation in a decidedly Kraftwerk type way, over handclap percussion and bubbling bass. Techesque bleeps and keys trip this out, while the French flavour is obviously there. One of those tracks that actually has character and its own vibe, compared to many of the competition. Lion I goes solo on “Nil-Ma”, which is a dark organ infused spine tingler, with extra keys and tech stabs. While Phil’s “Moonlight For Weeks” is an obviously personal rack, which is a clipped vocal delicate groover,with a warm low bass and rhythm section.
